SSaint
Shams al-Din Sivasi
(Kara Shams)
The founder of the Şemsiyye branch of the Halvetiyye order; a scholar, poet and preacher. He was born in 926 (1520) in the district of Zile in Tokat. His father was Ebü'l-Berekât Muhammed Efendi, of a family that had migrated from Khorasan and who had received authorisation from Hacı Hızır Amasyalı. He had three brothers: Muharrem, İbrâhim and İsmâil. He began his first education in Zile and studied with his brothers in Tokat under Arakiyecizâde Şemseddin Mahvî Efendi; he completed his madrasa education in Istanbul and taught there for a time. He afterwards abandoned teaching and turned to Sufism. He performed the pilgrimage and occupied himself with the office of preacher. At Amasya he attached himself to Muslihuddin Efendi, the successor of his father's sheikh. He then remained about ten years in the service of Abdülmecid Şirvânî and received authorisation at around the age of thirty-five. The chain to which he belongs reaches the Halvetiyye by way of Seyyid Yahyâ-yı Şirvânî. At the invitation of Hasan Paşa, governor of Sivas, he took up the office of preacher at the Meydan Mosque (Yenicami); there he founded a lodge and carried on the work of spiritual guidance for many years. At the age of seventy-five he took part in the Eğri Campaign of 1005 (1596); during the campaign he met notable figures, among them Azîz Mahmûd Hüdâyî. He died in Rabî' I 1006 (October 1597) at Sivas and was buried in the graveyard of the Meydan Mosque. It is related that about sixty thousand people attended his funeral prayer. His Circle of Influence — It was his nephew Abdülmecid Sivâsî who carried the Şemsiyye branch he founded to Istanbul. He was succeeded by his son Pîr Mehmed Efendi and after him by his son-in-law Receb Efendi. The guidance activity of the branch continued until the year 1925. His Poetry and Sufi Line — In his poems he used the pen name Şemsî . Although he produced numerous works in verse, the source does not count him among poets of the first rank; for he preferred the didactic purpose to ornate expression and avoided heavy rhetorical embellishment. His mesnevîs and hymns, on the other hand, found a wide readership, and some of his hymns were set to music. His Works — In verse: Süleymâniyye (964/1557; 1684 couplets, on Solomon and the Queen of Sheba), İbretnümâ (983/1575; 100 stories, translated from 'Attâr's İlâhînâme ), Gülşen-âbâd (560 couplets; the divine unity by way of ten flowers), Mevlid (988/1580; 1217 couplets), Heşt Bihişt (four sections on justice, knowledge, generosity and poverty), Mir'âtü'l-ahlâk (Rajab 996/1588; a book of ethics in ten chapters), Dîvân-ı Şemsî (ghazals and hymns), Tercüme-i Kasîde-i Bürde (a translation of Būṣīrī's famous ode) and Menâkıb-ı İmâm-ı A'zam (Jumada I 1001/1593). In prose: Hallü meâkıdi'l-Kavâid (Dhu al-Qa'da 967/1560; a grammatical commentary), Zübdetü'l-esrâr (Sha'bân 974/1567), es-Safâyih (a translation from Mollâ Câmî), Menâzilü'l-ârifîn (Sufi counsels in four sections), Menâkıb-ı Çehâr Yâr-ı Güzîn (on the four caliphs, his most famous work), Umdetü'l-edîb (rules of Persian grammar), Emr-i İlâhî ve Hüccet-i İlâhî and Nakdü'l-hâtır (a commentary on Sûrat al-Kahf begun in 1003/1595). His Tomb and Complex — A tomb was built over his grave three years after his death, and it became an important place of visitation.